20/43

In Mumbai, the routine of the Prabha nurse worries when receiving an unexpected gift from the separate husband. His younger roommate, Anu, tries in vain to find a place in the city to be intimate with his boyfriend. Payal Kapadia Director and the cast of everything we imagine when the light joins to share the most moving reactions of Cannes and much more! First Indian film to receive the prestigious Great Prize at the Cannes Film Festival in 2024. This film dramatizes many of the challenges faced by single women who live in Bombay and underlines their resistance. All the women here are nurse in the same hospital, but there the similarity ends because each has their own particular series of problems and, one could say, solutions. The stimulus of desire, fear, repentance and patience are the emotions that continuously alternate as the story develops in silence. Probably the largest resource is the script, which offers unusually rich and reflective dialogues among the characters. The amount of action in the plot seems sufficient to provide a scaffolding for conversations in which people have space to be a little honestly honest and without surveillance, even when they lie or position. The performance is uniformly excellent and increases at the level of writing: there are no false notes, although there are traded aims. Silent intensity of the characters ' interactions. The detachment is amplified in different points where the film seems to incorporate documentary elements or certainly create that type of feeling. Share. I contracted the declaration of another reviewer according to which this film was conceived as « bait of prizes ». In my opinion, there is too much heart and honesty that this film is classified as cynical or manipulative, certainly no more than with no other film that tries to tell an important story convincingly and beautiful. And this film requires many risks that I can imagine going well in India more and more sectarian and Puritans. I recommend a lot « everything we imagine as light ».

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